Le sketch du pilon : Claude écrit, Roboto crée les actrices, l'AI les fait jouer

Full-body photorealistic portrait of a Nigerian woman in her late 20s, deep brown skin, soft round face with full cheeks, expressive eyes with natural winged eyeliner, sleek middle-part hair pulled back into a neat low bun, small pearl stud earrings. She wears an orange-and-white adire tie-dye set: a cropped top with big voluminous puff sleeves and a matching knee-length pleated skirt, brown leather slide sandals. Standing, relaxed, hands at her sides, slight playful expression. Plain seamless light warm-grey studio background, soft cinematic lighting, 50mm lens, photorealistic. No text, no logo, no watermark.

Full-body photorealistic portrait of a very elegant, wealthy-looking Nigerian woman in her early 30s, tall and slim, warm light-brown skin, high cheekbones, flawless glam makeup, sleek high bun, large gold hoop earrings, a stack of gold bangles on each wrist, a delicate gold necklace. She wears a luxurious royal-blue and white adire kaftan with wide flowing sleeves over matching printed wide-leg trousers, gold heeled sandals, a small quilted designer-style handbag (no logo) on her arm, oversized sunglasses pushed up on her head. Confident, amused smile, standing. Plain seamless light warm-grey studio background, soft cinematic lighting, 50mm lens, photorealistic. No text, no logo, no watermark.

Photorealistic interior of a warm, modern Nigerian home kitchen in soft afternoon daylight: wooden shelves with jars and an orange cast-iron pot, a window with green plants, beige walls, a gas stove on the right. In the center of the floor, a large traditional carved wooden mortar filled with white pounded yam and a tall wooden pestle leaning in it, a low wooden stool next to it, a woven basket of raw yams on the floor. Vertical framing, eye level, cinematic, shallow depth of field. No people, no text, no logo, no watermark.

Vertical 9:16 live-action comedy scene in the warm kitchen from the kitchen reference image (wooden shelves, big carved wooden mortar full of white pounded yam, low wooden stool, basket of yams). The woman from the orange reference image (same face, same sleek middle-part low bun, same orange-and-white adire top with big puff sleeves and matching pleated skirt, pearl stud earrings) sits on the low stool at the mortar and pounds yam with the tall wooden pestle: she lifts it high with both hands and slams it down again and again, struggling, sweat on her forehead, out of breath, talking to herself to stay motivated, glancing between the mortar and the camera. Dialogue in French only, clearly articulated, natural Parisian French accent. She says, breathless and funny: "Allez ma fille… un mari bien nourri, c'est un mari heureux. Encore un coup… aïe, mes bras !" In the last three seconds, the elegant woman from the blue reference image (same face, royal-blue and white adire kaftan, gold bangles, big gold hoops, sunglasses resting on top of her head that she never touches, small cream handbag) walks into frame from the right, looks at her with an amused smile and says exactly and only these words: "Tout va bien, ma belle ?" Nobody says anything else. Cinematic sitcom look, natural afternoon daylight, realistic heavy thuds of the pestle. No music, no subtitles, no text on screen.

Vertical 9:16 live-action comedy scene, continuing in the same warm kitchen from the kitchen reference image. The woman from the orange reference image (same face, same sleek middle-part low bun, same orange-and-white adire puff-sleeve top and pleated skirt, pearl stud earrings) sits on the low wooden stool, exhausted, both hands on the tall wooden pestle standing in the wooden mortar of pounded yam. Standing next to her, the elegant, wealthy-looking woman from the blue reference image (same face, royal-blue and white adire kaftan, matching wide-leg trousers, stacked gold bangles, big gold hoops, small cream handbag on her arm). IMPORTANT: her sunglasses stay pushed up on top of her head for the whole shot, she never touches them, there is only one pair. Medium two-shot, slow push-in. Dialogue in French only, clearly articulated, natural Parisian French accent, nothing else is said before or after. First, the woman in orange sighs and says: "J'essaie juste d'être utile à mon couple…" Then the woman in blue smiles and answers, calm and confident: "Moi, l'AI fait tourner ma boutique en ligne. Mon mari est détendu… et demain, on part à Bali." Final beat: the woman in orange freezes, slowly looks down at her pestle, then stares straight at the camera, speechless. Cinematic sitcom look, natural afternoon daylight. No music, no subtitles, no text on screen.